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dsharp@tulane.edu

Music Department
200 Dixon Hall
Tulane University
New Orleans, LA 70118-5683
Voice: (504) 865-5273
Fax: (504) 865-5270

Daniel Sharp

Assistant Professor of Music

Ph.D. University of Texas at Austin. Ethnomusicology with a Doctoral Portfolio in Cultural Studies

M.A.  University of Texas at Austin. Latin American Studies

B.A.  Grinnell College. Music


Daniel Sharp is an Assistant Professor of ethnomusicology at Tulane University with a joint appointment in the Newcomb Department of Music and the Stone Center for Latin American Studies.

My research and teaching interests include ethnomusicology, especially focused on Latin America; cultural studies of popular music; nostalgia, cultural citizenship and the performance of roots; and critical issues surrounding ethnographic writing and recording.

My ethnographic field research focuses on Northeast Brazil, a region cloaked in nostalgia and renown as historically unique, artistically pivotal and economically marginalized (not unlike New Orleans).

In my work, I examine how musicians from this region struggle with being distanced from the national 'here and now' within narratives of Brazil's origins. I chronicle the career trajectories of two musical groups—Samba de Coco Raizes de Arcoverde and Cordel do Fogo Encantado—within the broader register of the Northeast's place as a reservoir of folklore within the national imaginary. As the two groups gain recognition, they access festival stages and recording studios, entering the circuits of government sponsorship of culture and the entertainment industry.

I trace how marginal-turned-traditional musicians on the cusp of professionalization navigate the world of music as a commercial product. I strive to render the idiosyncratic play of social inclusion and exclusion they face as they launch careers beyond their hometown. As they embark on national and international tours, appearing in documentary films and MTV videos, their performance of rural Afro-Brazilian-ness is received by audiences as a performance of origin. I argue that by performing 'home,' the musicians acquire the ghostly status of fetishes of culture loss, hovering between the center and the margins.


Music 242 World Musics
Music 330 Music Cultures of the World
Music 331 Latin American Music: Brazil

Newcomb Department of Music, 102 Dixon Hall, Tulane University, New Orleans, LA 70118 504-865-5267 music@tulane.edu